![]() ![]() Easier input and control Let MovieSlate be your your trigger start and stop recording from MovieSlate’s Camera or Multicam tabs. So, here’s a little review of MovieSlate – created because I find trying to explain something as if teaching helps solidify my experience of it. When your RED camera is outfitted with a smart lens MovieSlate will record changes to focus distance, iris, white balance, and focal length (for zoom lenses). A seasoned editor would work all this out just by looking at it, but some folks can miss out on the particular whys and wherefores. And I’ll label my 1-mic, 2-channel (CH2 -18dB lower) too. Removing my ‘editor’ hat and now thinking as a ‘shooter’, I’m really keen to deliver rushes to an editor/client stating that CH1: is the lavalier, CH2: is the 416 on a boom – I’ve had some stuff edited where the two tracks were treated as stereo. In fact, trying to bash things into shape and work out what should go where took the best part of an afternoon – but now we’ve got through a few jobs working with MovieSlate, I’m going to be using it whenever I can. There are LOTS of options buried in MovieSlate and they’re not all where you’d expect to find them. Your shot history is always ready to view, review, edit, or send. So I dusted off my copy of MovieSlate and dug around its interface, trying to get it to behave the way I wanted to. With MovieSlate: lost clapper boards are a thing of the past. The sort of info I often have to trawl Linked-in for at 3:00 in the morning just to check spellings or find a shorter job title. What I wanted to know was ‘who is this, how is the name spelled, what do I put in the lower third caption’. I’ve seen this done, but the blipvert text dump was of Things I Did Not Need To Know – director, DoP name, production name, camera type and so on. Wowzers! The idea of shot logs, production notes and so on seems to have faded into obscurity and as a Corporate Video editor, often all I get is a hard drive with obscure rushes on it. It blipped a few text fields just before the slate – only 2-3 frames per field of text, but it quite clearly labelled the interviewee. So I have, sadly, scoffed at them for too long.īut, a while back, I was editing some 3-camera interviews shot by a colleague, and he’d used an iPad slating app that actually did something really useful. In fact, I’d tried a few iPhone/iPad versions and found that the visual and audio cues were out of sync anyway. ![]() The idea of using a clapperboard could be seen as a little ‘effete’ and pretentious. A simple hand clap or even a bit of lip sync on ‘plosives’ (vocalising consonants such as ‘p’ and ‘b’) is often all you’d ever need to bring the two shots into synchronisation. Using the MLC-HID-a 5-pin Lemo to USB-A cable-connect Ambient Recording’s ACN-ML Master Lockit to the mixer’s USB port (or to a CL-12’s USB keyboard port).Ī USB A (female) to B (male) adapter is necessary when connecting the ACN-ML Master Lockit to the mixer.Įnsure that your computer or mobile device has a web browser and WiFi.It seems I’ve been doing a wave of 2-camera shoots recently, mostly interviews on PMW-EX1s. ![]() In addition, it collects all metadata from script, continuity, and professional cameras for delivery and use by DITs and post production. Acting as the network central hub, it enables remote control of all ACN units on set via browser on any WiFi capable device. ![]() The Master Lockit is the control center of the ACN timecode and metadata network. harry potter fanfiction bellatrix saves harry from the dursleys. This integration provides wireless remote control of 6-Series mixer/recorders from web-based computers and mobile devices, such as PCs, Macs, and Android or iOS smart phones or tablets. View tutorial video from PureBlend Software. Minimum MovieSlate v8.5 required, which runs on iOS 8,9 or 10.Īlso required is the Sound Department PRO, an optional plug-in that is part of the MovieSlate 8 Pro features available for purchase from within the app or as a monthly subscription from PureBlend Software. When connecting to the CL-12 instead of the mixer, use the TCB-41-a 9-pin Lemo to USB-A cable (shown) that is available from Timecode Systems.ĭownload and install the MovieSlate app to your iOS device. Using the TCB-40-a 9-pin Lemo ® to USB-B (male) cable available from Timecode Sysems-connect the DATA port on the :wave to the 6-Series mixer’s USB port (or to a CL-12’s USB keyboard port). The :wave is a highly accurate timecode and genlock generator with integrated RF transceiver and WiFi. This integration provides wireless remote control of 6-Series mixer/recorders from iOS mobile devices, such as iPhone, iPad, or iPod Touch. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |